It’s bold. It’s restrained. It’s graceful. It’s terrifying. It feels inevitable, yet it’s startling. There’s no easy way to describe the cover for Salman Rushdie’s Knife, which is why it’s one of the ...
Take a genteel painting, maybe featuring a swooning woman. Add iridescent neon type for a shock to the system. And thank (or blame) Ottessa Moshfegh for getting there early. Clockwise from top left: ...
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