Religious art, in modern times, has fallen from the liveliness of the Renaissance, when religion was civilization and men brought a homely vitality to their church art. John Singer Sargent’s* symbolic ...
Spiritual and religious artwork hangs in the Springville Museum of Art for the 38th annual exhibition. Over 275 pieces were displayed. (Abi Falin Horspool) On Wednesday, Oct. 16, the Springville ...
JINHUA, ZHEJIANG, CHINA, January 21, 2026 /EINPresswire.com/ -- Pujiang Fengming Religious Icons Art Co., Ltd. has ...
Should Italian museums return works of Renaissance art to the churches for which they were originally made? Eike Schmidt, the director of the Uffizi gallery in Florence, has been making that case—and ...
The director of one of the world’s oldest and most prominent art museums, the Uffizi Gallery in Florence, has suggested that religious artworks residing in institutional collections should be returned ...
The art historian James Elkins tells of his experience as one of four jurors for the 1990 exhibition “Revelations: Artists Look at Religions.” It was a big show with several famous artists in it, ...
NEW YORK -- In 1983, at Japan Society in Manhattan, I saw a show of early Buddhist sculpture so beautiful that I maxed out my Visa card to fly to Japan to find more. It was my first time there. I ...
A hallway of children's artwork is featured in the gallery of spiritual and religious art at Springville Museum of Art. Only 200 of the 900 submissions were featured. (Haley McIlroy) The 39th annual ...
Within the field of Russian religious art, Russian icons hold a singular place within the country’s art historical traditions. First emerging in the 11th century, despite their significance they have ...
Edward Berger didn’t grow up Catholic. “I was raised outside the church, but if we went, it would be the Protestant Church,” he says over the phone. But when he was 9, he attended a Catholic Mass with ...
Two small exhibitions, one at the Met Cloisters, the other at the Wallach Art Gallery, bring the personal and political dynamics of devotional art to the fore. By Holland Cotter In 1983, at Japan ...